Perhaps
this is the Magic quality the collection’s name refers to – or else
that the pieces are classic without sacrificing modern sensibility.
Probably a bit of both. In any case, all the styles display the easy
feel of unrehearsed elegance. Magic uses intriguing designs to turn the
world’s finest materials – including diamonds, 18-carat yellow and white
gold, and now pearls – into pieces that you’ll reach for day after day.
Feminine
pearls endow the collection with their one-of-a-kind innocence and
purity. Integrating the sophistication of diamonds with the ingénue-like
appeal of pearls, Magic is as multi-faceted as its name implies.
Early in her career, her unique ability to capture nature’s organic yet infinite lines in precious metals won her attention from art and design world luminaries. She pioneered the organic design style, perhaps more than anyone else did. Her inspiration may come from the light of a Nordic summer sky or water cascading over rocks or simply from movement. With distinctive elegance and purity, her jewellery expresses a freshness and modernity that radiates light and life.
Regitze Overgaard works from the premise that jewellery should be as
simple as possible; it should be the shape of the metal that wields
artistic power, rather than external adornment. Her jewellery combines
lightness and volume–the balance of this contrast is very difficult to
strike.
There is also an ongoing allusion to the human body in her work. This is
important in any jewellery–the interaction of the metal with its
wearer. In Overgaard’s works, the form of the piece respects the natural
curves of the body and accentuates it with a sense of style, elegance
and individuality. Overgaard’s collection betray a keen eye for the
sublime forms that exist in nature.
